Complica ainda mais ele adquirir poderes sensitivos. Com Dee Wallace e Ed Lauter. Como de costume em algumas das mais famosas obras de King, o filme conta com uma mulher como protagonista. Destaque ainda para os departamentos de arte e maquiagem, principalmente na abordagem do cachorro.
Eles conseguiram transformar um belo animal em algo realmente horripilante. E mortal. Lester, Scott e ArtCarney. Engana-se, contudo, quem buscar um filme de terror. Cabe a Kiersch, de outra forma, re interpretar as palavras de King: tarefa, por sinal, deveras bem-sucedida.
Nesse sentido, o filme de transparece o referente real, outrora apenas subtexto. Se, no conto, o horror invade o trajeto do casal Burt e Vicky, no filme, intercalam-se protagonismos. A imponente estrutura encontra-se isolada da cidade e de todos quando a neve chega.
O isolamento de todo o resto faz com que eles despertem de um sono profundo para assombrar os vivos. Muita coisa que considero importante foi deixada de lado. Algumas marcas surpreendem e funcionam bem, outras acabam por envelhecer o filme. Victor Frankenstein, foi escrita pela brilhante Mary Sheley. Como de costu- me King ambienta sua narrativa no Maine. De janeiro a dezembro acompanhamos ataques do monstro aos moradores de uma cidadezinha em noites de lua cheia.
Ritos de pas- sagem e a mais pura beleza da juventude. O ano era e, desde que o diretor Rob Rainer levou para as telas a aventura dos quatro garotos da peque- na Castle Rock, os filmes sobre amizade nunca mais foram os mesmos. Talvez uma das melhores dessas ten- tativas seja A Hora do Vampiro, de Stephen King, seu segundo livro publicado. Mas a chegada de Ben coincide com a chegada de dois estranhos cavalheiros, R.
Existe algo como um poder recorrente do mal? Singleton, Digamos que o mes- tre me aplicou um golpe rasteiro. Mas para mim se tornou, dentre seus romances, o meu favorito. Mas eu acon- selho: confie no mestre do Maine. Fica a dica. Por muito pouco o grupo sobrevive. E o gru- po precisa formar-se novamente. Os que derivam de contos, como Carrie, rendem melhor quando adaptados. Em VHS, saiu em dois videocassetes. Na TV americana, foi exibido em duas partes, em dois dias seguidos.
Mas Jim — nosso protagonista — resolve o caso conjurando algo ainda pior. Seriam falhas do autor? Como dis- se, eram tempos mais simples. Se estiver prestes a se tornar um, aproveite cada filme e busque o material de origem para conhecer as palavras de Stephen King. Porque o tempo passou, ele continua a escrever e os fantasmas do passado Incesto e um toque de erotismo, numa trama sur- preendente. O longa faz lembrar Um Lobisomem Americano em Londres Richter e diri- gido por Fraser Clarke Heston.
Reco- menda-se assistir com as luzes apagadas e em alto volume. Lovecraft e Mary Shelley. Foi o fim precoce do reinado da EC. Dois grupos de pessoas mostram-se imunes. Com Taylor Hackford, Uma cena mostra Dolo- res cuidando de uma idosa doente e as sombras na parede indicam que ela empurrou a se- nhora em uma escada. A patroa agoniza e pede que a empregada acabe com o sofrimento dela. A patroa Vera Donovan Judy Parfitt era exigente e vaidosa.
Dolores trabalhou muitos anos para ela e sofria com o exagerado perfeccionismo no cuidado com as coisas da casa. A filha vive a base de bebidas, comprimidos e cigarros. O filme mostra, aos poucos, um personagem do passado das duas. Mesmo assim, corrobora a autoralidade do cinema de Tom Holland, que se apropria de elementos trash, inserindo o grotesco como parte fundamental da nar- rativa.
Produzido para a TV. Nelas Stephen King se dedi- ca ao horror que permeia o cotidiano. Com um futuro brilhante pela frente. O interesse do garoto pelo velho Kurt Dussander ultrapassa os limites do que se con- venciona entender por normalidade. Enquanto Dussander odeia o garoto ele nunca se refere a ele pelo nome , ao mesmo tempo se sente lisonjeado e fortalecido em seu desejo assassino.
Moradores de rua. Assim como acontece ainda hoje. Os extremismos seduzem os jovens, cada vez mais desapontados com o futuro sem perspec- tiva. Com David Duchovny, Gillian Anderson. O fim mesmo. O primeiro, o criador do universo Cyberpunk e o segundo Simplesmente um dos maiores escritores vivos de ter- ror e suspense Chinga O trabalho de King O Rei! O Rei!!! Arquivo X fez algo semelhante na TV. Faz sentido que Chinga tenha sido desenvolvido durante a quinta temporada. Em contraste, a quinta temporada saiu-se mais relaxa- da.
Mulder e Scully apro- variam. Ocorreria algum milagre? Baxley, Dirigido por Craig R. Baseado num dos livros mais vendidos de Stephen King. Corta para Toca a campainha, ele recebe uma encomenda pelo correio. Abre a caixa e se depara com uma surrada luva de beisebol. E o flashback de O Apanhador de Sonhos parece que tirado da mesma fon- te. Com William Hurt, William H. Macye Tom Berenger. Mal de Alzheimer e bloqueio criativo.
A hybris grega em sua forma mais direta. Mas compra. Jud rapidamente se torna amigo de Louis e eles passam muitas noites conver-sando e tomando cerveja. Ela fica preocupada com seu gato, faz mil perguntas sobre a sua futura morte.
Em meio a tudo isso, em seu primeiro dia de trabalho, Louis Creed se depara com um jo- vem com severo traumatismo craniano. Jud Crandall, diz que para retribuir um favor, levaria Creed para um local em que poderia trazer Church de volta.
Ele o enterra e volta para casa. No dia seguinte o gato o espera na frente da casa. Jacobs, no qual ele se inspirou livremente para escrever este livro.
O filme Desespero se inicia com um casal que viajava por uma das estradas mais desertas dos EUA: a rodovia Mer- gulhe nesse universo de terror e suspense em Desespero. Numa cidade do interior, uma tempestade traz misteriosa neblina. O perigo de fato reside naquilo que ela esconde.
Sinal dos tempos. Pelo menos no caso de Mike Noonan. Que segredos estariam escondidos? Coisas muito estranhas. Sentimos estar dentro de um pesadelo todo o tempo. Esta acaba se tornando a linha narrativa menos importante, pela dificuldade de se construir um esperado gran finale. O Acidente Em , King assustou a todos. King escreveu Lost? Casada atualmente com a Re- verenda Thandeka.
Through this exhibition, CCBB offers the public a contact with the work of one of the most remark- able authors of horror and fiction of his generation and stimulates debates on his creation process and his adaptations, besides promoting a dialogue between literature and cinema.
Bank of Brazil Cultural Center Fear is your best companion Fear is one of the inherent conditions for survival. From an early age, it follows us. From the monster under the bed, to the terrorists, psychopaths, ghosts In fact, as we grow older, we try to push the pri- mal fear into the back of our minds.
Then, we forget about the monster that used to lurk in the back of the closet at night, or those who were waiting for us in the hall when we had that night thirst.
But that does not mean that they cease to exist. We just forget them. But, like almost everything in our life, it always comes back. We grew up living with fear in the lazy afternoon or midnight movies, with the endless reruns of Christine , Silver Bullet , among other works from the master Stephen King.
Our generation grew up watching these movies, first on TV, when we were not old enough, and later at the movie theaters. However, the great experience of fear comes when we are alone, when only a ray of light strikes the pages of the book we are reading. In the pages of his works we become hostages of fear.
A fear that makes us return to our primary instincts. And after they have invaded us, there is no escape. Horror was long considered a minor genre.
Opposite to the classical authors like Oscar Wilde, Bram Stoker, Mary Shelley, Robert Louis Stevenson, who all devoted their works to the genre, came Penny Dreadfuls or Penny Bloods, leaflets that were published in the nineteenth century that featured hor- ror stories full of blood and macabre characters, sold at popular prices and were very successful.
In the same way, since the beginning of the cinema, the horror films were seen with distrust, as if they discredited the directors and actors. Curiously, if we look at the production lists, this genre has nev- er ceased to be produced.
Just like the horror literature. The proof of that is the quantity of films and miniseries produced from his books. But, what has changed over the years? Perhaps, finally, we recognize that King shaped, in his peculiar way, the fear of the contemporary human being. Why are his books so good? Because, more than simply know- ing the demons, King knows the human beings like nobody else.
Transiting through the everyday universe, the author transforms, with his fingers, simple things into something to be feared: laundry machines and cars become murderous things; little chil- dren and old ladies become psychopaths. And do not even mention the hotels.
These will never be the same again. Lovecraft, Machen, Poe, they all shaped the horror in the twentieth century. Stephen King is the great master of the 21st, and continues to create fans and influence new authors. In addition, 5 feature films that are cited by King as references to his writing ca- reer.
Master classes and lectures will also be scheduled during the 4-week movies exhibit. And we hope that many more will come. For, as much as we deny, fear will always be our best companion! Son of the merchant sailor Donald Edwin King and the dedicated Nellie Ruth Pillsbury, King has demonstrated his talent for writing since he was very young. Later, he would write several short stories that he would end up selling for 30 cents each. In , King joined Lisbon Falls High School, a school that would inspire one of his best-known stories, the novel Carrie.
Four years later he entered the University of Maine at Orono, where he grad- uated in , three years after his first professional sale, the short story The Glass Floor, and four years after he met the woman who would become his future wife, Tabitha Spruce.
His first daugh- ter with Tabitha, Naomi Rachel King, was born also in On January 2, of the following year, King married Tabitha in a discreet ceremony. Two other noteworthy events marked S. This event marks the life of King, who later came to ad- dress the disease in several of his books.
King was not very excited with the release of his first book, so much that by not finding it good enough he had decided to throw it in the trash. Tabitha, his wife, eventually retrieved the manuscript and managed to persuade him to finish it. Subsequently the book would become its first editorial phenomenon. In , King publishes what may have become his best-known novel, The Shining, which would later become a successful movie in the hands of director Stanley Kubrick.
In the following decade, King published Danse Macabre , a theoretical treatise in which he discusses, among other things, the horror in the various media sources cinema, TV, theater and how they influenced his creative process. In July , the publisher Donald M. The book, which had begun to be written by King when he was only 19 inspired by the epic poem Childe Roland to the Dark Tower Came and The Lord of The Rings trilogy , would take 33 years to complete.
It was also one of the most productive decades considering the amount of adaptations of his works for the cinema, with films like Christine, Creepshow, Cujo, Stand By Me, among others.
The next decade was marked by productivity, which King had already become known for, with the adaptations The Shawshank Redemption and The Green Mile , but perhaps the most strik- ing fact was undoubtedly the accident that happened to King on the 19th of June, While hik- ing, King was hit by a Minivan.
He fractured his hip, broke his leg and had serious lung damage that almost killed him. The accident was reproduced in the miniseries Kingdom Hospital, written by him adapted from the original by director Lars Von Trier and released in Sleep — a sequel to one of his greatest hits, The Shin- ing — which shows Danny, now an adult, working in a hospital and using his powers to help older peo- ple make the passage into another world.
Another remarkable fact in his biography occurred on October 10, , when Stephen was one of the winners of the National Medal of Arts, an award given to him for his contribution to American lit- erature. At the time, King received the award from the hands of President Barack Obama at a ceremo- ny that took place at the White House.
Throughout his year career the author has won more than 50 awards, including Edgar and the Bram Stoker Award. There were more than 60 best-sellers, numerous adaptations for the movies, TV, theater, Comics and about million books sold worldwide. All this made Stephen King into one of the greatest writers of horror and suspense literature, plac- ing him alongside great immortals like Edgar Allan Poe and H.
All we have to do is hope that many more novels will come and that the King will have Long Days and Pleas- ant Nights on this land! The author and the cinema by Rita Ribeiro Let me tell you a story. I love to tell stories, not always to write them.
One day in class, when com- menting on the movie The Shawshank Redemption , a student of mine asked me if I had read any books by the author. I said no, but that I really would like to read something from him as long as it was a serious one. Horror was not serious to me. I hardly ever say no to my students; this is a flaw, of course! And so this is how she introduced me to Bag of Bones It was like getting a shock.
Perhaps, when reading the book, you do not feel the same way I did. What a pity! And this is how my great passion for Stephen King began, and consequently for the terror genre. My home bookcase has even been referred to as The Bookcase of Horror. Wait until they see my video library! Even with all the advances made by science at the time, the ever-inevitable fear of death could not be discarded, while the promise of eternal life advocated by the church was not a reliable alternative either.
It is in fiction, or in the promises of the occult, that the desire for eternal life and resurrection finds its greatest diffusers. Thus, leaving aside the hidden dark corners of the countryside, the horror genre spreads its stories throughout the cities.
The urban setting, full of dark dead alleys and lanes, is as prone to ghosts and monsters as the woods and deserts were in the past. The genre reveals authors such as H. Wells, Henry James, among many others, including Brazilian authors who went further on it such as Machado de Assis. The literature aimed at this horror genre quickly spread successfully and, in the transition to mass culture represented by cinema, it reveals itself as one of the great genres of the twentieth century.
Another period of success comes in the s with so-called B-movies, low-budget films aimed at young audiences. Movie versions do not always live up to the original. Imagination, however, moves along its own flow of the tide. Movies, even the best ones freeze fiction [ In fact, an adaptation of The Dark Tower, a story told in seven volumes, would hardly be true to the nuances of the original, concentrated in a movie of few hours.
It is also undeniable the influence that his writing has on the new au- thors of horror that we see emerging every year, including in Brazil. Stephen King shaped the fear of the late twentieth century and still reigns in the twenty-first century. I dare to attribute such success because we live in dark times and fear, after all, is always our companion. There, he first fell in love with the house he chose together with his wife or as he has already mentioned, they were chosen and accepted by the house.
In order to know more of his journey from Portland to Bangor, I recommend reading his book On Writing: A Mem- oir of the Craft, non-fiction book that is like a manual for young authors and for mature ones too, who still have eyes and ears wide open to learn different ways in creating a good fiction.
It turns out that On Writing: A Memoir of the Craft is also an autobiographical testimony of the struggle it was to establish himself as a writer, to overcome life challenges such as people like us, the battle to keep the house in times of short earnings and the difficulties that led him to believe he was himself the protagonist of The Shining.
Well, every good writer needs to be a little crazy, a little bold, a bit arrogant, quite insecure, and mel- ancholic enough to make the wheels spin. King brings it all together and gives us a work worthy of a first-rate fraud, an unscrupulous manipulator, thank heavens.
It was not in the style and, interestingly, neither in the genre, but it was in Maine. This passion for the ground on which we grew up and this decision to create a whole world in the most absurd and fantastic circumstances so our characters can stage hallucinatory adventures walking through the real streets and neighborhoods that are there.
It was not King who invented this, but it was in his work that I first realized this repetition, this choice. The result is that, when creating my tales of vampires and werewolves, of interplanetary ghosts and travelers, I have flooded my work with the improbable, and in my books Osasco has become a knot in the world where things happen.
I had to take a step fur- ther to honor my birthplace when I began to think how I, Andre Silva, a simple teenager, would sign my works, when I did not even believe that this name of mine on my books would have the strength to attract the attention of readers that I would have to conquer through a lot of effort, sitting on the shelves of bookshops at a time when social networks were still at an early stage.
I wanted a strong name and also that people knew I was from Osasco at least the readers of my city would be curious about a madman who was writing stories of angels and vampires. The problem was that I only wanted Osasco. So I started to walk through the streets downtown and imagine which of those names would be of any help, from the founders of the city where I grew up, where I rode bicycles over dirt road alleys, gave a girl my first kiss, rode a gravity racer and mainly where I started reading in the neighborhood called Santo Antonio.
The young Prim- itiva Vianco woman, a few days after giving birth, died of postpartum complications, and her name today marks one of the main streets in the center of my city. For days, on the way to school, the boy watched — dazzled and curious — the animal de- composing, drying up, being devoured by worms, until its remains were taken by a flood. Like Edgar Allan Poe, Arthur Conan Doyle, Robert Bloch, and others before him, King has devel- oped a love for felines - especially for his rebellious, marginal, bandit nature that often ends up short- ening their lives.
The book was a huge selling success and King was approached to write the script for the movie. The film was written especially for Drew Barrymore, commissioned by producer Dino De Lauren- tiis, who was impressed by the performance of the nine year-old actress in Firestarter , anoth- er adaptation of King. Bernard dog. The film tells the story of a mother and a son who are sleepwalkers, and also metamorphic no- madic creatures, a hybrid of humans and felines, that feeds on virgin women and is vulnerable to the scratching of cats.
The film is full of cats — some scenes used almost a hundred of them — and even has a hero, Clovis, played by a domestic cat named Sparks and by several other four-legged stunt doubles.
What he did not reveal at the time is that he was allergic to cats Narrated in an atmosphere of black humor, it tells the story of a professional assassin who is hired by an eccentric millionaire to eliminate a black cat that has killed several people, always at midnight. King spread more generic cats throughout his other works, suggesting that sometimes a cat is just a cat. In the dramatic Apprentice , some animals are killed by a Nazi executioner, but at least one escapes safely.
Consistent with the age of social networks, Leo became famous thanks to his Instagram account, run by Kirk Jarrett, his owner and coach; Tonic which was adopted by another trainer who worked in the film, Melissa Millett and JD also have profiles on the network.
Enigmatic and inscrutable: cats have served Stephen King as raw material to reflect on personal dramas, transposing ideas to paper and screens, and the cycle repeating itself with the death of fic- tion occurring also in the real world. And before this fascinating animal that we love so much, the bottom line is that we know as little about the mysteries of life and death as the undecipherable se- crets of our four-legged companions.
Fear of the ordinary by Rodolfo Stanki Stephen King was about thirteen years old when he discovered the literature of H. Ac- cording to Lisa Rogak, his unofficial biographer, at this age he was already an avid reader and de- voured everything regarding fantasy fiction. Nevertheless, the work of the creator of Cthulhu did not seem very attractive to him. The episodes of Rod Serling and Richard Matheson in the series The Twilight Zone fertilized their creative potential to show how characters in our world would react to typical fantasy and science fiction circumstances.
Comics magazines, the writer glimpsed how the supernatural could invade and land adulthood without any warning. This more naturalistic and contemporary way of thinking horrifying narratives was strongly appro- priate by King in virtually everything he has written.
His ideas almost never come from inhospitable places of his imagination. The plot of The Shining came from a trip that he had taken to a hotel that seemed haunted. Lovecraft, on the other hand, has always written about cosmic beings and forbidden knowledge. The evil, for the Rhode Island storyteller, came from un- known ancient origins.
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